And why the difference matters more than you think.

If you've spent any time exploring premium matcha, you've likely come across labels like "single origin" or "single cultivar." These terms — borrowed in part from the specialty coffee and wine worlds — signal quality and traceability. But in the matcha world, they don't all mean the same thing. And a fourth term is quietly emerging as perhaps the most meaningful of all: 

Here's a clear breakdown of what each term means, how they relate to one another, and why understanding the difference will change how you choose your matcha.

 means the matcha comes from one defined geographic region — Uji in Kyoto, Kirishima in Kagoshima, Nishio in Aichi, and so on.

This matters because terroir — the soil, climate, altitude, and rainfall of a place — leaves a fingerprint on the tea. Uji's morning river mists and mineral-rich soil produce matcha with deep, layered umami. Kagoshima's volcanic earth yields a smoother, naturally sweet profile. These regional characteristics are real and meaningful.

However, "single origin" is also the broadest of the three terms. A matcha labeled "Uji single origin" could be sourced from dozens of different farms, blended at a processing facility, and still carry that label honestly. 

Origin tells you the region. It doesn't tell you who grew it.

 enters — and why we believe it may be the most important designation of all.

Single estate means the matcha originates from one farm, tended by one producer. Every leaf in the package comes from the same land, the same hands, the same set of decisions made season after season.

In the wine world, "estate-bottled" or "château" designations have long carried this meaning: the grower and the maker are the same, and accountability runs all the way from soil to cup. In premium tea — particularly Darjeeling — single-estate labels have become the gold standard for the same reason.

Matcha, historically, has operated differently. The traditional Japanese model relies on the 

 — the tea master — who blends tencha leaves from multiple farms, regions, and even harvest years into a consistent house expression. This is a genuine craft, and we respect it deeply. But it also means that in most premium matcha, the identity of the individual farmer is invisible.

 It means you can trace your matcha back to a specific farm, a specific producer, and a specific set of agricultural decisions. It means accountability, consistency, and a direct relationship between the land and the cup.

) means the matcha is made from one specific tea plant variety — Samidori, Okumidori, Saemidori, Asahi, Gokou, and so on.

Just as grape variety defines a wine's character, the tea cultivar shapes the flavor, aroma, color, and texture of matcha in fundamental ways. Samidori is known for its elegant, creamy umami. Saemidori brings sweetness and vivid green color with low bitterness. Asahi, one of Uji's most prized native cultivars, delivers a sharp, refined complexity.

Single-cultivar matcha is increasingly popular among enthusiasts who want to explore these differences — to taste the cultivar itself, expressed as purely as possible.

That said, single cultivar is the most focused lens of the three — it zooms all the way in to the plant itself. The same cultivar grown on different estates, in different regions, under different hands, can taste remarkably different. 

Cultivar tells you the variety. The estate tells you who brought it to life.

How They Combine — and What That Looks Like in Practice

These three terms are independent of one another. A matcha can be any combination:

 One farm, one variety — maximum traceability One farm, multiple varieties — estate integrity with blended complexity 

 One variety, multiple farms — cultivar purity, varied sourcing Standard commercial matcha — wide sourcing, blended

At RIKYU, the majority of our products sit in the 

 category. Here's why this combination is intentional — not a compromise.

The farms we work with in Kyoto and Kagoshima are not small operations. The largest cultivate more than ten different tea varieties on the same land, deliberately staggering their harvest windows so that each cultivar can be picked at its precise peak. This is expert farming — not mass production.

When these farmers blend their own cultivars into a finished matcha, something specific happens: the blend reflects one producer's vision, one terroir, one set of growing conditions. It is entirely traceable. It is entirely accountable. And it achieves a complexity of flavor — balancing fragrance, taste, and color — that a single cultivar alone rarely delivers.

This is particularly true of our Uji-origin products. Uji has over 800 years of matcha cultivation history, and its blending tradition is inseparable from its identity. The great Uji tea houses have always blended — not to hide inferior leaves, but because the 

's art of composition is itself an expression of mastery. Our SR145, for example, is a Uji-origin matcha that honors this tradition: single estate in its sourcing, and blended in its craft.

Our Kagoshima-origin products, by contrast, often lean toward single-cultivar expression. Kagoshima is a younger matcha region, and its producers have invested heavily in developing cultivars — Saemidori, Okumidori, and others — with distinct, well-defined flavor identities that stand confidently on their own.

All three matter. But if we had to choose the one that speaks most directly to quality, integrity, and trust — it's Single Estate.

Because at the end of the day, great matcha is made by great farmers. Knowing who grew your tea is not a luxury. It's the foundation.

At RIKYU Matcha Company, all of our products are Single Estate — sourced directly from individual farming families in Uji, Kyoto and Chiran, Kagoshima. We work closely with our producers to understand not just what they grow, but how and why.

Single Estate, Single Origin, Single Cultivar — What These Terms Actually Mean in Matcha

For nearly five centuries, matcha has been shaped not by a single tradition, but by many. Understanding the schools — particularly Omotesenke and Urasenke — is one of the best ways to appreciate the depth of the bowl in front of you.

When matcha is served in Japan, the way it is whisked, presented, and received depends on which school of tea — 流派 (

) — the host belongs to. These schools are not brands or styles. They are living lineages of practice, each tracing its own line back through centuries of teachers and students. To understand matcha as a cultural product, it helps to know that the bowl in front of you almost always carries a school's signature, even when it is poured at a casual café.

The story of nearly every modern school begins with Sen no Rikyū (1522–1591), the tea master who refined the 

 aesthetic and established the spiritual core of 

After Rikyū's death, his teachings passed through his descendants. By the time of his great-grandsons in the 17th century, the family had divided into three houses, collectively known as the 

The names "front" and "back" are literal. When Rikyū's grandson Sōtan retired, he passed the front of his Kyoto residence to his successor Kōshin Sōsa — establishing Omotesenke. He then built a new tea hut, Konnichi-an, at the back of the property for another son, Senso Sōshitsu — establishing Urasenke. The three houses share a common ancestor and a common reverence for Rikyū, but each has evolved its own distinct sensibility.

Outside the San-senke lineage, several other schools have shaped Japanese tea culture:

For most students of tea around the world, however, exposure begins with one of the three Sen houses — and most often, with Omotesenke or Urasenke.

Omotesenke and Urasenke: Two Sensibilities

The two largest schools share the same heritage but have developed distinct approaches over four centuries. The differences are subtle, but they are not arbitrary — each reflects a coherent philosophy about how matcha should be prepared and experienced.

1. The Foam (the most visible difference)

 vigorously, producing a thick, fine, evenly distributed foam that covers the entire surface of the bowl. The result is creamy, soft, almost mousse-like.

 whisks more gently, leaving a deliberate crescent of clear tea visible at the surface — a signature look that emphasizes the color and clarity of the matcha itself rather than its texture.

). Omotesenke uses one made from smoked bamboo (煤竹, 

) — darker in color, with a more austere appearance.

 is folded and the side from which it is worn differ between the two schools. Small details that immediately identify a practitioner to a trained eye.

Urasenke tends to embrace a wider range of bowl shapes and contemporary materials. Omotesenke typically favors more traditional forms and a more restrained selection.

Perhaps the most important difference is not technical but cultural.

 has been the most internationally active school. Through its postwar leadership, it established branches across the world, opened practice to non-Japanese students at scale, and actively promoted 

 as a living global art. Today, the school has affiliated organizations on nearly every continent.

 has remained more domestically focused, more conservative in its outward expression, and is often described as the most traditional of the three houses. For practitioners who value continuity with the older forms, this is precisely its appeal.

Neither approach is "correct." They are two answers to the same question — 

how do we keep Rikyū's spirit alive in our own time?

At RIKYU Matcha Company, we work daily with cafés, roasters, pâtissiers, and tea programs in North America, Europe, Australia, and beyond. The matcha being prepared in their kitchens does not always follow the manners of Omotesenke or Urasenke — and that is not a problem. It is the next chapter.

Latte art on a matcha base. Espresso bars where matcha is pulled like a shot. Pastry programs that treat matcha as a primary ingredient rather than a garnish. Cocktail menus building entire categories around it. None of this existed in Rikyū's time, and yet — to our eyes — none of it betrays his spirit. The Way of Tea has always been a way of attention, of care for the guest, of honesty toward the material. Those principles travel.

Matcha is now a global drink. The question is no longer whether the world will adopt it, but what kind of culture will grow up around it.

The Schools of Matcha: A Brief Guide to Omotesenke, Urasenke, and the Future of Matcha

"I love both, but what is the actual difference?" This is one of the most frequent questions we receive at RIKYU.

Believe it or not, they both originate from the exact same plant: 

. The same soil, the same fields, and the same leaves. However, they diverge at two critical stages—

—resulting in two entirely different sensory experiences.

1. The Secret in the Growing: Sunlight vs. Shade

The distinction begins long before the harvest, right in the tea garden.

2. The Architecture of Enjoyment: Steeping vs. Consuming

The way the tea reaches your cup is structurally different.

At RIKYU, we source our Matcha from diverse regions—Uji, Shizuoka, Kagoshima—to bring out unique aromatic identities that suit different needs.

We don't just supply tea; we help you find the specific profile that collaborates with your menu, whether it’s for a delicate ceremonial tea service or a robust, velvety matcha latte.

Curious to taste the structural difference for yourself?

 We’d be happy to send you samples of our different grades to help you find your perfect match.

Understanding the Roots: What Actually Separates Matcha from Green Tea?

"Is first harvest always the best?" This is one of the most common questions we receive at RIKYU — and the answer is more nuanced than a simple yes.

The Japanese tea calendar is divided into multiple harvesting windows: 

 (三番茶, third harvest). While harvest sequence does influence the chemistry of the leaf, the single most decisive factor for matcha quality is not 

how long they were kept under shade before picking.

1. Why Shade Is the Key to Matcha's Flavor

Matcha is produced through a technique called 

 (被覆栽培) — shaded cultivation. In the weeks before harvest, the tea fields are covered with screens that block direct sunlight. This act triggers a critical biochemical change inside the leaf.

The primary umami compound in green tea is an amino acid called 

. Under sunlight, theanine is progressively converted into catechins — the polyphenols responsible for bitterness and astringency. Shading blocks that conversion. The longer the plant is kept from direct light, the more theanine is preserved, and the deeper and sweeter the umami becomes.

Shading also causes the plant to overproduce chlorophyll to capture what little light reaches it. This is why well-shaded matcha has that vivid, deep emerald green — not merely cosmetic, but a direct signal of careful shading management.

2. First Harvest — Ichibancha (一番茶)

The first harvest arrives in late April to early May, as the tea plant wakes from its winter dormancy. All through the cold months, nutrients — primarily theanine — accumulate in the roots. When the new shoots finally emerge, they are naturally rich with that stored energy.

For matcha production, first-harvest plants are typically shaded for 

 before picking. This extended shading period, combined with the naturally high theanine content of the spring flush, produces a leaf with:

. When matcha is served as the center of the experience — a pure bowl, an 

 (thin tea), a tasting flight — the softness, roundness, and lingering sweetness come directly from this theanine richness that only a full shading period can produce.

3. Second & Third Harvest — Nibancha & Sanbancha (二番茶・三番茶)

After the first harvest, the plant regrows. New shoots emerge in June–July for the second harvest, and in late July–August for the third. These later flushes face a fundamental constraint: 

the interval between harvests is not long enough to allow for the same extended shading period.

In practice, shading for second- and third-harvest matcha can be as short as 

 The consequences are direct and measurable:

It is worth noting that even second and third harvest matcha retains more theanine than standard unshaded green tea (sencha) — any shading provides some benefit. But the gap between a three-week shade and a three-day shade is not marginal. It fundamentally changes the character of the cup.

 The misconception we encounter most often from international buyers is that "first harvest" is simply a marketing label. In reality, it reflects a specific agricultural reality. 

First-harvest matcha is not better because it arrives earlier — it is better because the shading can be longer.

 The winter-accumulated theanine and the extended kabuse period work together in a way that later harvests, constrained by the growing calendar, cannot replicate. When we source matcha for RIKYU, shading duration is one of the first questions we ask our producers.

4. Side by Side: The Three Harvests at a Glance

Characteristic1st Harvest2nd Harvest3rd HarvestSeason

Late Apr – MayJun – JulLate Jul – Aug

Sweet, round, deep umamiBalanced; slight bitternessBitter-forward, astringent

Ceremony, pure bowlsLattes, everyday drinkingCooking, high-volume blends

At RIKYU, we don't just supply matcha — we help you find the right harvest for the right application.

"ceremonial grade" is not a legally defined term

, and its use across the industry is inconsistent. A better question to ask your supplier is: 

what was the shading duration for this lot?

 That single piece of information tells you more about what's in the bag than any grade label.

The next time you encounter a matcha described as "first harvest," it is worth pausing to consider what that actually required: a producer who managed careful shading discipline over three weeks in early spring, working with plants that had spent an entire winter accumulating the theanine now concentrated in those new shoots. It is not a label. It is a description of choices made long before the cup reaches the customer.

Curious to taste the difference for yourself?

We'd be happy to send samples of our first-harvest and second-harvest grades side by side — so you can experience the shading difference directly in the cup.

First, Second & Third Harvest Matcha: Why the Shade Matters More Than the Season

Matcha is shaped by terroir: the minerals in the soil, the mountain mist, the rhythm of the seasons. Japanese ceramics are no different. The iron in the clay, the ash from the kiln fire, the temperature of the earth — all leave their mark on the vessel. Tea and bowl are both, at their core, expressions of the land they come from.

When Sen no Rikyū elevated the tea ceremony in the 16th century, he insisted that the bowl was as important as the tea itself. The way it sat in the hands, the texture against the lips, the colour the green foam took against the clay — all of it was considered. A rough-surfaced, hand-formed bowl creates more friction for the whisk, producing a finer foam. Dense, unglazed stoneware holds heat slowly, keeping the matcha warm and its aroma alive. The vessel is not background. It is part of the cup.

"First Raku, second Hagi, third Karatsu" — the classic ranking of tea bowls reflects how deeply ceramics and matcha are intertwined in Japanese aesthetic tradition.

 to our lineup. Grown in mineral-rich soils along Japan's Pacific coast, Aichi matcha offers a clean, balanced profile — smooth umami, gentle sweetness, and a versatility that suits both ceremonial preparation and high-quality café use. It is a tea that speaks quietly, with confidence.

Tokoname-yaki — Ancient Clay, New Partnership

 (常滑焼) — one of Japan's Six Ancient Kilns, with a history spanning over a thousand years. Famous for its iron-rich red clay and the celebrated 

 teapot, Tokoname pottery is prized for its density, durability, and subtle interaction with tea. The unglazed clay is said to mellow the astringency of the brew over time, the vessel gradually becoming a collaborator in the cup.

We are honoured to have formed a partnership with a Tokoname kiln rooted in this living tradition. Through this collaboration, we now offer a curated selection of Tokoname-yaki ceramics — matcha bowls, teapots, and tableware — chosen specifically for their relationship to the preparation and enjoyment of tea.

Aichi Prefecture matcha and handcrafted Tokoname-yaki ceramics — sourced from the same soil, brought together for the first time. Please reach out to our team for wholesale and pairing inquiries.

What moves us most about this new chapter is simple: our matcha and our ceramic partners share the same earth. To prepare Aichi tea in a Tokoname bowl is to complete a circle the land itself began.

From Soil to BowlThe ancient bond between matcha and ceramics — and a new chapter rooted in the soil of Aichi Prefecture.

We built Rikyu Matcha around one conviction: that the best powdered Japanese tea deserved the same sourcing discipline as the best single-origin coffee. That conviction hasn't changed. But our lineup just expanded.

Starting this season, Rikyu Matcha is offering 

 alongside our matcha range. Same sourcing philosophy. Same direct producer relationships. A completely different ingredient.

Hojicha begins as green tea — the same plant, the same fields. But where matcha is defined by everything we do to 

 the leaf from heat and light, hojicha is defined by 

. The leaves and stems are roasted over high heat, typically in a porcelain pot over charcoal, until the chlorophyll breaks down and a new category of flavor emerges entirely.

The result is amber-colored, low in caffeine, and rich with roasted, caramel-sweet complexity. It tastes nothing like matcha. That's the point.

"If matcha is the dawn — clean, alive, electric — then hojicha is dusk. Slow heat. Long finish. The kind of cup that asks you to sit down."

In Japan, hojicha has been part of everyday tea culture for generations. It's the cup that appears after dinner, at the end of a long day, in the hands of someone who wants warmth without wakefulness. Outside Japan, it remains one of the most underrepresented flavors in specialty beverage — and one of the most immediately compelling once people taste it.

How It Differs from Matcha — Structurally, Not Just in Flavor

[ image — matcha powder (green) beside hojicha powder (amber) ]

Left: ceremonial-grade matcha. Right: Rikyu hojicha powder. The color difference reflects a fundamental shift in chemistry, not just processing.

This isn't a matter of preference. Matcha and hojicha powder differ at the molecular level.

The high-heat roasting process drives off chlorophyll — which is why hojicha loses its green. It also breaks down a significant portion of the caffeine content, reducing it to roughly one-fifth of matcha's level. The tannins that give green tea its astringency are similarly reduced, replaced by pyrazines and furans — the same roasted aromatic compounds that make coffee and toasted grain smell the way they do.

What this means for your menu: hojicha powder behaves differently in drinks. It disperses readily in warm milk without the aggressive whisking matcha requires. Its flavor doesn't compete with sweetness — it collaborates with it. Brown sugar, oat milk, vanilla, dark chocolate. Hojicha leans into all of them.

Our Sourcing Approach — The Same Standard, Applied to a New Leaf

When we source matcha, we visit the farms. We sit with the producers. We ask about cultivar selection, shading schedules, and milling temperature. We don't buy through brokers.

We brought that same approach to hojicha.

[ image — hojicha roasting facility / producer ]

Our hojicha producer partner, working the roast. The temperature and duration of each batch are calibrated by hand.

For hojicha powder, the key variables are different from matcha — but they're no less exacting. 

 determine whether the final powder is bright and lightly toasted or deep and smoky. Too short, and the sweetness doesn't develop. Too long, and you lose the tea character entirely. We worked directly with our producers to establish a roast profile that holds across batches — something you can actually build recipes around.

. Hojicha made primarily from kukicha-style stems roasts more evenly and produces a smoother, less astringent powder than leaf-only approaches. This is a deliberate choice, not a cost-saving one — stems carry a particular sweetness that defines the best hojicha.

. Traditional loose hojicha is a coarse product not designed for suspension in liquid. Our powder is milled fine enough to disperse cleanly in milk-based drinks, without grittiness or clumping.

Freshness — the Same Protocol as Matcha

Roasted teas are acutely sensitive to oxidation. The compounds created during the roasting process — the ones responsible for that warm, caramel aroma — are volatile. Exposure to air, light, and moisture degrades them faster than most people expect.

We package our hojicha powder under the same 

 we use for matcha: sealed immediately after milling, inert atmosphere, opaque packaging. From the moment it leaves the roasting facility to the moment it reaches your café, that toasted character is preserved.

The most natural entry point is the evening menu. A hojicha latte at 8 PM is exactly what customers are looking for when they want something ceremonial and satisfying — without the caffeine that will keep them up until 2 AM. It fills a gap that herbal teas and decaf coffee never quite manage.

Beyond drinks, hojicha powder opens up pastry and dessert applications that neither cocoa nor coffee quite replicate. The toasty, caramel note integrates into glazes, creams, and custards with unusual elegance. Autumn and winter menus especially benefit — the flavor profile is warm in a way that feels seasonal without being gimmicky.

And for cafés already running matcha, hojicha becomes a natural companion on the menu board. Two powders, one philosophy — different enough to feel like a genuine choice, similar enough in preparation that your team doesn't need to learn an entirely new skill set.

Whether you're already working with our matcha or encountering Rikyu for the first time, we'd be glad to send you a sample of both powders side by side. It's the fastest way to understand what we mean when we say the difference is structural, not superficial.

The Other Powder: Introducing Rikyu Hojicha — A New Chapter for Your Cup Program

In the world of premium Japanese matcha, the timing of the harvest is the single most defining factor of quality. At Rikyu Matcha Company, we believe understanding the distinction between First Harvest (Ichibancha) and Second Harvest (Nibancha) is essential for selecting the right profile for your brand.

First Harvest (Ichibancha): The Pinnacle of Umami

Harvested from late April to May, the First Harvest consists of the very first young buds that have overwintered, slowly accumulating nutrients.

Second Harvest (Nibancha): The Strength of Catechins

Harvested in June to July, about 45–50 days after the first flush. These leaves grow rapidly under the stronger summer sun.

The Philosophy of Grading: Why Timing Matters

Rikyu Matcha Company does not view one as "superior" in a vacuum; rather, we classify them by 

 Just as the tea ceremony distinguishes between 

, modern business must distinguish between a delicate latte and a baked confection.

For our "Premium" and "Ceremonial" lines, Rikyu Matcha Company maintains a strict 

By sourcing only the spring buds from our partners in Uji, Shizuoka, and Kagoshima, we ensure that your customers experience the profound "Umami" that defines authentic Japanese tea culture. Using Second Harvest for a premium beverage would be a compromise on the spiritual and sensory depth we promise to deliver.

Choosing the Right Harvest for Your Brand

Selecting the harvest is about balancing flavor intensity with cost-performance.

At Rikyu Matcha Company, we provide the bilingual expertise and regional sourcing to help you navigate these seasonal nuances, ensuring every tin of matcha tells the right story for your product.

FIRST HARVEST VS. SECOND HARVEST

In Japan, spring doesn't arrive all at once. It moves — slowly, deliberately — from south to north. And so does matcha harvest season.

Kagoshima, Japan's southernmost major tea-growing region, is always first. While the rest of the country is still waiting for warmer days, the tea fields of Satsuma are already alive with the year's first flush of new growth. Our team at Rikyu Matcha recently made the journey down to witness it firsthand.

A view of the tea plantations with Mount Kaimon in the background.

Built on Direct Relationships, Across Every Major Region

One of the defining features of Rikyu Matcha is that we have producer partners in every major tea-growing region in Japan — from Uji and Nishio to Kagoshima. And in every case, those relationships are 

We don't buy through brokers. We visit the farms. We sit with the producers, walk the fields, and ask the questions that matter: 

What drives your decisions? What are you protecting? What does quality mean to you?

This approach means that when we talk about the matcha we source, we're not reciting spec sheets. We're sharing the 

 That's what we bring to our partners around the world — not just a product, but a story grounded in real knowledge and real trust.

Japan's matcha harvest begins as early as 

 in Kagoshima, making it the first region in the country to yield new leaves each year. From there, harvest progresses northward over the following months, region by region.

When we arrived in Satsuma, Minami-Kyushu City, the fields were already preparing for the season ahead. But what struck us most wasn't the landscape — it was the level of intentionality behind everything we saw.

Fresh tea buds are sprouting; these small, yellowish-green shoots will eventually grow and be processed into matcha.

Timing is everything in matcha production. Leave the new shoots on the plant too long, and the leaves toughen. Tougher leaves mean a compromised flavor profile — less of the bright umami and vibrant green that define premium matcha.

To manage this, our producer partner in Satsuma has developed a remarkably deliberate approach: 

over 20 different cultivars are planted across the farm

, each selected for its distinct growth rate. By staggering varieties that mature at different speeds, the harvest window is carefully distributed across weeks rather than compressed into a single overwhelming rush.

This isn't just a practical workaround — it's a form of agricultural craftsmanship. The farm functions like a finely tuned schedule, with one variety reaching peak readiness just as another finishes. It's the kind of system that only emerges from decades of observation, iteration, and deep respect for the plant.

From Field to Steam: Within 15 to 30 Minutes

Once tea leaves are picked, the clock starts immediately. Oxidation begins the moment a leaf is separated from the plant, and it's the first processing step — 

 — that halts that process and locks in color, aroma, and nutritional value.

This is made possible by two things working in tandem: the physical proximity of the fields to the processing facility, and a harvest schedule that's synchronized precisely with the factory's capacity. There's no waiting. No backlog. The leaves move from the field to the steamer while they're still at their best.

Standing in that facility, watching the process unfold in real time, it became clear why this commitment matters. The first 30 minutes of a tea leaf's journey after harvest shapes everything that follows — every cup, every shot of espresso, every matcha latte served thousands of miles away.

There is no shortage of matcha brokers and dealers in the global market. But there's a meaningful difference between sourcing matcha and 

 it — between moving product and representing the people who produced it.

At Rikyu Matcha, we exist to be a direct bridge between Japanese producers and the global businesses and enthusiasts who want to serve something genuinely exceptional. The fields of Satsuma, the precision of the harvest design, the steam rising from the factory floor — all of it travels with every order we send out.

That's not a marketing claim. It's the result of showing up, year after year, and building relationships that go deeper than a transaction.

Whether you run a specialty café, a restaurant, a food brand, or a retail concept — if you're looking for matcha that comes with real provenance and real producer knowledge behind it, we'd love to talk.

Written by Mizuki Yasuda, CEO of Rikyu Matcha

Matcha Guide

Single Estate, Single Origin, Single Cultivar — What These Terms Actually Mean in Matcha

The Schools of Matcha: A Brief Guide to Omotesenke, Urasenke, and the Future of Matcha

Understanding the Roots: What Actually Separates Matcha from Green Tea?

First, Second & Third Harvest Matcha: Why the Shade Matters More Than the Season

From Soil to BowlThe ancient bond between matcha and ceramics — and a new chapter rooted in the soil of Aichi Prefecture.

The Other Powder: Introducing Rikyu Hojicha — A New Chapter for Your Cup Program

FIRST HARVEST VS. SECOND HARVEST

From the Source: Visiting Our Tea Producer in Satsuma, Minami-Kyushu City — Kagoshima, Japan

When Matcha Meets a Landmark: How Senkyu Is Redefining Matcha Culture for a New Generation

Finding the Perfect Match for Your Business

Japanese Matcha vs. Chinese Matcha: Understanding the Difference

Thinking About Launching a Matcha Brand? Here's What You Should Know Before You Reach Out